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Altria Group leaves town and takes their arts funding with them.

KRISTIN SLOAN
New York City Ballet
New York, NY USA
BIO | POSTS


photo by Randy Levine.

Evil/Benevolent behemoth Altria Group (formerly Phillip Morris Companies Inc.) is leaving town (i.e. New York) and will be taking their arts funding with them. As you probably already know, Altria Group, manufacturers of cigarettes (among other things) has long been a supporter of 200+ arts organizations, many of them dance companies.

This article in the Times from yesterday gives a good slice of insight into the range of organizations they support, how powerful that support has been in cultivating the arts in New York, and how difficult it will be to replace the $7 million dollar hole that will be left when they take their funding away in 2008.

I thought this was an interesting quote from David Parsons, who has been receiving funding from Altria since 1985…

“Here’s what it was — the Good Housekeeping seal of approval,” Mr. Parsons said during a break in a recent rehearsal. “It opens doors. Other funders see that, and they take a second look at you.”

They certainly must have earned some serious street cred with the projects they chose to support. Based on the success and influence of the projects they’ve funded, they clearly have a good curatorial eye.They were even pioneers, supporting many things that were new or experimental. (Of course I suppose it’s easier to take chances when you have such a large piggy bank to work with). It does makes sense though, that for other potential funders without such a discerning eye, seeing Altria dive in would give them more confidence in a project.

Do you think there is anyone/anything out there that can begin to replace their contributions?

On another note…

Besides plowing millions into the arts across the country, Altria has been a major contributor to domestic violence shelters, hunger programs and disaster relief. In the last decade, the company and its subsidiaries donated $1.5 billion in cash and in-kind contributions to charity.

Does doing so much good make up for creating such unhealthy, addictive products? I don’t know.

In a less direct way, this reminds me a bit of the debate over carbon credits. If you (individual or organization) have a lot of money, and can afford to purchase lots of carbon credits for every carbon-emitting act you make (without even fully knowing how effectively that money will be spent), does that make it ok for you not to take strides in trying to reduce your own carbon emissions-or even worse-creating more?

jennifer said,

October 10, 2007 @ 3:39 am

wow, this is tragic for the ballet/art world…i read in an earlier nytimes article that morphoses will have to “fight” for funding (esp. from altria, a big donor) with nycb and abt…with altria gone, who else will help fund dance? does this have any implications on morphoses and other dance companies?

TheLab™ said,

October 10, 2007 @ 10:37 am

Considering the several million people who die every year as a result of the type of products this company manufacture I fail to see how anybody, especially in the arts which is supposed to be filled with the brightest thinkers, could take money from Altria or any other tobacco company.

Nice name by the way, did they think it made them sound like a bottled water company or something?

SanderO said,

October 10, 2007 @ 11:04 am

This is a sorry commentary on THIS society where the funding for the arts and so forth comes from a corporations which made its profits causing so much death and misery.

The robber barons of the 19th century made a fortune on the backs of workers and then “gave back” in the form or libraries, art collections, museums, hospitals, theaters and so forth. Same deal.. Make millions in a nasty way and then polish your nasty image with generosity. The mafia used the same approach to get support and cover for their wrong doing.

Atria. Good riddance and don’t let the door hit you on the way out.

Now let the arts be supported by the people with our taxes and not trillions for weapons and wars.

Sarah said,

October 10, 2007 @ 2:47 pm

the whole thing has me extremely conflicted. until recently, i had no clue that altria was code for phillip morris and when i learned of the connection i was confused and nauseous because, as “TheLab” said above, it’s a creepy backwards way to cover up who you really are - a company that produces death in neatly rolled packages (packages that i indulged in frequently as a teenager).

they sell cancer, true, but should their support of the arts be disregarded because of that? or should they be allowed to use their dirty yucky money to support amazing artistic institutions? it makes my head spin. oy vey.

with all this in mind, i just logged on to the nyc opera website, thinking about going to see a performance, and right smack there on the front page is the altria logo. apparently they’re one of nyc opera’s main funders.

i hate to think of the artistic institutions that will suffer from this, there is so little arts funding to go around and it’s going to hit many cultural corner stones below the belt.

that being said, i’m also sort of glad to see them go as “Sander0″ stated brilliantly above.

Indecisive, party of 1…

Chieftan said,

October 10, 2007 @ 2:52 pm

I think its great that Altria will be pulling their support, I’m sure they’re not worried about contributing where someone will actually appreciate their donations. This is a business just like any other that delivers profits and share holder value. Just like any other company, Altria does not force consumers to buy or use their products. How much abuse does anyone expect Altria to take before they pack up shop and take their millions in donations with them. Hopefully, the NYC dance program fails. I do hope they continue support the other programs that actually help people and add value to the economy.

nothsa said,

October 10, 2007 @ 3:20 pm

Where is my satire-decoder ring when I need it? Because I’m hoping that’s what Chieftan just posted.

Anyhoo, lemonade out of lemons time. I’m taking the whole fam damily to see dance this weekend. I realize I’m preaching to the choir on a forum like this, but I think that should be the collective response to the changing economics of the performing arts scene. Take time to mourn the loss of one funding source, absolutely, but then mobilize and fight back with support! WWGD! (What Would Giselle Do?) (unless someone can think of a better role model)

jennifer said,

October 10, 2007 @ 4:16 pm

i am more apt to think that whatever the company (tobacco or not) decides to do with their profits should be their own business and choice. similarly, the dance companies, if they choose to, could refuse the money if they object to the way the profits were gained. (Now, wouldn’t that be a statement? However, I can see how that might look hypocritical since many dancers are smokers).

However, there is nothing wrong with making a profit in our society (whether it’s tobacco or healthcare, where people are harmed by proxy), and since support for art is scarce, if the dance companies believe a donation is acceptable, I can support that as well.

SanderO said,

October 10, 2007 @ 7:10 pm

I don’t like the funding models for the ABT or the MetOpera.

At the ABT of you fork over enough cash you get to “own” or they call it “sponsor” a principal. What does that actually mean to the sponsored dancer? He or she get more cash for pointes and can buy more pilates classes?

What SHOULD happen is that all these folks that want to fund the arts should give them to the arts council who would then distribute them.

I don’t want to read the Mrs. Golgoskasl donated money and see her name on the back of a chair, or a bench or over the door to the “member’s lounge”.

Our arts funding model is free market rubbish where arts organizations have to suck up to wealthy individuals and corporations for some guilt money. Because that’s what it amounts to.

The cost of getting close to the arts in America is making it elitist in this country and that a damn shame.

Money is perverting everything it touches.

tonya said,

October 10, 2007 @ 9:01 pm

How is funding done in other countries, does anyone know? Is funding really provided solely through the government?

Anthony Brinkley said,

October 11, 2007 @ 5:13 am

Altria removed their sanction. On a practical level, this will not mean much to shareholders. On a moral level, Altria just dropped the A-bomb: why should Altria support those who wish to destroy them?

On a spiritual level, the artists are also gaining. When you earn something through voluntary trade, you will earn true self-esteem. Living by handouts is a spiritual cancer.

jennifer said,

October 11, 2007 @ 7:18 pm

an interesting approach to arts funding…from the nytimes

http://www.nytimes.com/2007/10/10/arts/design/10gran.html?em&ex=1192248000&en=5760afcbe1f12b89&ei=5087%0A

TheLab™ said,

October 11, 2007 @ 8:38 pm

“On a moral level, Altria just dropped the A-bomb: why should Altria support those who wish to destroy them?”

because burning in hell is gonna hurt, a lot! ;o)

Bill Hollis said,

October 12, 2007 @ 11:07 am

You know we live in a free society. IF the govenment funded all the arts (impossible anyway) , don’t you think that there would be loads of restrictions/controls/does and don’ts!! Funding/financial support of any kind brings influence with it….that is the it works the world over. Right or wrong never forgot the MAN with the GOLD rules!! You may not agree with mfg and sale of tobacco, but people do not have to purchase the products. WHY do people ignore label warnings, I know people with cancer who keep on smoking, becuase they say they enjoy and don’t want to give it up.

My point is people make their own choices and it takes LARGE/LARGE amounts of money to support and ABT or NYCB. Deal with it and move on. HOpefully, several other large banks/corporations will steep in fill gap. Last thing we want is more goverment control of our lives.

TheLab™ said,

October 12, 2007 @ 5:20 pm

No thanks, we’ll keep kicking them if it’s all the same to you. The UK has large scale Government funding of the arts and apart from the bureaucratic incompetence it’s a much better alternative than taking money from Phillip Morris or BAT or Haliburton. After all, it is our money.

tonya said,

October 12, 2007 @ 6:05 pm

The government versus private funding issue is really interesting to me. The problem with government funding here is that elected officials tend to go a bit nutty with their “speaking for the people” roles whenever there is government funding involved. Case in point: Guiliani’s attempt to close down a publicly funded exhibit at Brooklyn Museum a few years ago because it contained a piece of artwork by Chris Offili that he felt was too anti-religious to be considered art worthy of funding. Right-wing politicians have in the past also tried to pull national funding for art with a feminist (Karen Finley) or homoerotic (Mapplethorpe) bent. It’s always the “alternative” artists who are affected. But it also brings attention to these often little-known artists and provokes public discussion over what is art. Do these heated debates happen in England?

The thing that bothers me most about the Altria article is the way the corporation used its funding to try to influence legislation by asking those it gave money to to support it on the bill banning smoking in public areas. I agree that human beings are free agents and to me selling a product that’s currently legal is not the wrongdoing they’re committing, it’s the way they’re manipulating public policy, which would be immoral regardless of what product they sell. I know “money makes the world go around” and it’s the way the world works (or at least the way the US works), but is it right?

And thanks for posting the link to that article, Jennifer — it’s really interesting!

Swan Lake Samba Girl » Blog Archive » Christopher Wheeldon (AKA The Genius) at Guggenheim, and Ballet Makes an Appearance on Dancing With the Stars! | Tonya Plank | Writer, Dancer and Public Interest Lawyer said,

October 16, 2007 @ 4:58 pm

[…] I just think Wheeldon is such a genius, at least in terms of his choreography. His head may be a bit in the clouds as an artistic director regarding what the company may be capable of in terms of all the visual artists / musicians, etc. etc. ETC. he wants to collaborate with (especially in light of last week’s huge news about corporate giant Altria’s pulling the plug on crucially-needed dance funding in NYC), and executive director Lourdes Lopez told a funny story about his extremely last-minute, day-of-performance, without-a-care-in-the-world wish that she locate a violinist in rural Colorado to play live. But one thing is for sure: as a creator of dances he is brilliant; he is a contemporary Kenneth MacMillan, I do believe. […]

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