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	<title>Comments on: Becky, Jodi and John</title>
	<link>http://thewinger.com/words/2007/becky-jodi-and-john/</link>
	<description></description>
	<pubDate>Thu, 20 Nov 2008 12:52:38 +0000</pubDate>
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		<title>by: Swan Lake Samba Girl &#187; Blog Archive &#187; Help, I Don&#8217;t Want a Lap Dance!!! &#124; Tonya Plank &#124; Writer, Dancer and Public Interest Lawyer</title>
		<link>http://thewinger.com/words/2007/becky-jodi-and-john/#comment-2943</link>
		<pubDate>Mon, 09 Apr 2007 01:42:23 +0000</pubDate>
		<guid>http://thewinger.com/words/2007/becky-jodi-and-john/#comment-2943</guid>
					<description>[...] Just really quickly since this post is now about 100,000 words long, Friday night, on Gia&#8217;s Winger recommendation again, I went to see &#8220;Becky, Jodi and John&#8221; at Dance Theater Workshop. Much more mellow than Keigwin Kabaret, but I found it compelling in its sublelty and bittersweet humor. Choreographed by John Jasperse and featuring him, Becky Hilton, and Jodi Melnick (all 43 years old, oddly enough), it dealt mainly with aging and dance: the dancer&#8217;s &#8216;aging&#8217; body; how changing self-esteem and increasing self-knowlege alters how you present yourself and what you&#8217;re willing to do during a performance (after Jasperse asks her to do the project, Melnick goes through a long, humorous litany of problems she&#8217;s been having lately with her joints and muscles, and tells him there are certain things she doesn&#8217;t like to show anymore, such as her arms); the choreographer&#8217;s &#8216;aging&#8217; mentality and how s/he&#8217;s perceived by critics and peers as &#8220;old&#8221; (at one point, Jasperse came out onstage naked, carrying a load of bricks, placed the bricks down and assembled them into a structure while another dancer read a critic&#8217;s review of his work, telling him he was too &#8220;formalist&#8221; and needed to loosen up); and the power and absolute necessity of maintaining friendships with each other over the years and across the miles (after Jasperse finishes his &#8216;building&#8217; he walks to Melnick who stares down at his genitals questioningly, humorously, then they perform a beautiful pas de deux illustrating their mutual reliance on each other for physical and emotional support. Like the Forsythe and Young works I blogged about recently, this also was multi-media, using video projections, spoken word, and of course dance to explore its themes. While it was centered around dance, I still think many people could relate to the themes &#8212; to the process of aging, feeling your body begin to give, feeling &#8220;old&#8221; compared to the younger generation, maintaining friendships while people go their separate ways, etc. [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] Just really quickly since this post is now about 100,000 words long, Friday night, on Gia&#8217;s Winger recommendation again, I went to see &#8220;Becky, Jodi and John&#8221; at Dance Theater Workshop. Much more mellow than Keigwin Kabaret, but I found it compelling in its sublelty and bittersweet humor. Choreographed by John Jasperse and featuring him, Becky Hilton, and Jodi Melnick (all 43 years old, oddly enough), it dealt mainly with aging and dance: the dancer&#8217;s &#8216;aging&#8217; body; how changing self-esteem and increasing self-knowlege alters how you present yourself and what you&#8217;re willing to do during a performance (after Jasperse asks her to do the project, Melnick goes through a long, humorous litany of problems she&#8217;s been having lately with her joints and muscles, and tells him there are certain things she doesn&#8217;t like to show anymore, such as her arms); the choreographer&#8217;s &#8216;aging&#8217; mentality and how s/he&#8217;s perceived by critics and peers as &#8220;old&#8221; (at one point, Jasperse came out onstage naked, carrying a load of bricks, placed the bricks down and assembled them into a structure while another dancer read a critic&#8217;s review of his work, telling him he was too &#8220;formalist&#8221; and needed to loosen up); and the power and absolute necessity of maintaining friendships with each other over the years and across the miles (after Jasperse finishes his &#8216;building&#8217; he walks to Melnick who stares down at his genitals questioningly, humorously, then they perform a beautiful pas de deux illustrating their mutual reliance on each other for physical and emotional support. Like the Forsythe and Young works I blogged about recently, this also was multi-media, using video projections, spoken word, and of course dance to explore its themes. While it was centered around dance, I still think many people could relate to the themes &#8212; to the process of aging, feeling your body begin to give, feeling &#8220;old&#8221; compared to the younger generation, maintaining friendships while people go their separate ways, etc. [&#8230;]
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		<title>by: tony</title>
		<link>http://thewinger.com/words/2007/becky-jodi-and-john/#comment-2544</link>
		<pubDate>Wed, 04 Apr 2007 20:22:03 +0000</pubDate>
		<guid>http://thewinger.com/words/2007/becky-jodi-and-john/#comment-2544</guid>
					<description>I took composition class with John as an undergraduate way back in the day (1996).  Old school.  He is a physicist turned dancer.  I keep finding more of this particular hybrid.  Guess I am not so special, but its good company.  Hope to make this performance.</description>
		<content:encoded><![CDATA[<p>I took composition class with John as an undergraduate way back in the day (1996).  Old school.  He is a physicist turned dancer.  I keep finding more of this particular hybrid.  Guess I am not so special, but its good company.  Hope to make this performance.
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		<title>by: tonya</title>
		<link>http://thewinger.com/words/2007/becky-jodi-and-john/#comment-2531</link>
		<pubDate>Wed, 04 Apr 2007 16:21:28 +0000</pubDate>
		<guid>http://thewinger.com/words/2007/becky-jodi-and-john/#comment-2531</guid>
					<description>I'm there!  Thanks, Gia</description>
		<content:encoded><![CDATA[<p>I&#8217;m there!  Thanks, Gia
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