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From the NY Times - Graffiti of the Philanthropic Class

KRISTIN SLOAN
New York City Ballet
New York, NY USA
BIO | POSTS

The Graffiti of the Philanthropic Class.
Thought this was a clever way of titling and framing this NY Times article.

Just for the sake of comparison, here is a screenshot of the first row of images that appear when you do a Google Image Search for TAGGING…

Supporters of arts organizations have long had their own method for “tagging” places that are important to them. The article brings up some interesting points…

Arts institutions in the United States, unlike those in most European countries, receive sparse support from the government, so they cannot be blamed for selling the naming rights to expensive new buildings brick by brick. And it is of course only human to desire acknowledgment of one’s good deeds.

But once upon a time a discreet collective plaque or a name in the program seemed to suffice. We live now in a different age. Celebrity has become a luxury product like any other, and the wealthy can purchase a tasteful morsel of the respectable kind through charitable largess.

I would imagine most artists and arts organizations are incredibly grateful for those individuals or organizations generous enough to support their pursuits, and are happy to have a method for recognizing those supporters in a permanent, significant and aesthetically neutral way. I’d also imagine that the increase in this practice has more to do with social and business trends in giving (and a growing need for contributions), and less to do with supporters direct desire for a certain kind of celebrity, as the article suggests. If this method is a la mode, than so be it… until the trend changes or organizations find an entirely new way of acknowledging their donors.

These possessory tags subtly convey the message that culture belongs, first and foremost, to the rich, that artists serve at the behest of an elite privileged class.

This statement makes me think of the Russians submersing their flagin the water under the ice of the North Pole, staking their claim for the land when global warming melts the ice caps. I hope everyone doesn’t feel that way about this standard for thanking supporters. I think it’s just one of the only ways to acknowledge that scale of support that currently exists.

What do you all think?

SanderO said,

December 2, 2007 @ 6:32 pm

One of my pet peeves… sponsorship by the well heeled. ABT sells their dancers. If you have enough cash you can own a Kent or a Herrera! Why stop at a seat or a bench of a doorway.

It’s repulsive to me. If you want to support the arts, why do you need to stick your name on it? It no different from by dog who drops his pee on every fire hydrant to let the others know he’s “da man”.

In politics it allows deep pockets to gain access and so forth.

Money ruined America.

Tania said,

December 2, 2007 @ 8:57 pm

This is an interesting question. I was actually thinking about this yesterday b/c I was at the Met (museum not opera) and kept passing those “Mr. and Mrs. Blah-Blah Bleeblah Wing” signs. I have no real problem with the idea that a person who actually makes the decision to fund the development of a new venue gets the building named after them (the article mentioned Carnegie Hall, Alice Tully Hall, etc.). That seems pretty standard, and in some ways it really is their building.

However i really do think when people donate money under the stipulation that some pre-existent hallway in a venue is going to be recristened in their honor, something is wrong. Wanting to be publicly thanked or acknowledged is one thing, but that’s what program notes are for, or a brief thank-you speech from the director at a gala. I can see having a few plaques on one special wall to commemorate especially significant donations. But the whole business of naming bits of the building after a donor, and donors stipulating such things, just seems like the worst type of hubris, for may of the reasons that the article mentioned. And that whole business of dancer-sponsorship at ABT that SanderO mentioned is really kind of creepy to me.

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