Archive for dance culture
August 22, 2008 at 1:29 pm · Filed under dance, KATE, art, dance culture, KATE-M, SYREN, kate mehan, SYREN modern dance
Today we had the pleasure of welcoming Jeff back into the studio (at least for the moment!) He is in between projects with Noemie LaFrance, and we take him any time we can get him!
At the end of rehearsal we watched the footage from the “Pelleas et Melisande” premiere and it made me so inspired to get back to work on the re-staging of it. It’s good to feel that… A positive push to make the better parts better and to change the parts that didnt work so well. I know the feeling when I see something of mine and I just feel like “that’s just not good Kate, let that one go”. But there is something strangely fascinating to me about Pelleas. I just can’t wait to dig back in.
Still searching for the score for what will be the other new piece of the season. Just have not found it yet. But it will surely come.
Anyway, today really was great. It occurred to me that Jeff, Lynn and I have now danced with each other for a decade. We met freshman year at Purchase in 1998. Definitely a special thing to have moved with someone over time.
Great rehearsal…
www.syrendance.org
Recent Posts by kate mehan
August 20, 2008 at 12:47 pm · Filed under ballet, dance, dance event, KATE, manhattan, art, modern, city, new york, nyc, mercecunningham, new york city, abt, choreographer, modern dance, contemporary dance, new york dance, companies, city center, dance culture, dance companies, american balet theatre, KATE-M, SYREN, kate mehan, chroeographer, SYREN modern dance
This is one of the posters starting appear around the city (this one at 5th Ave N/R/W train stop). This is a great event at City Center (all tickets $10!!!) The shows are in Sept. Everything from Shen Wei, ABT, Cunningham, to Oregon Ballet Theater and much much more. A great mix, the right price, and a SUPERB venue. One of these days, we hope SYREN will get on the bill! In the meantime, we are enthusiastic supporters.
Check it out!
http://www.citycenter.org/tickets/productionNew.aspx?performanceNumber=3775
www.syrendance.org
Recent Posts by kate mehan
August 18, 2008 at 3:22 pm · Filed under dance, dancers, KATE, choreographer, dance theater workshop, contemporary dance, dance culture, dance companies, improvisation, dance spirit, KATE-M, SYREN, kate mehan, SYREN modern dance, dtw, dancenow NYC
Lynn and I have been back in the studio… Just “jamming” right now. Doing a bit of barre together, then she teaches me some new class excercises and combinations she has been creating…which feels great to be told what to do a bit! This week we did a pretty long imrov together to some Brahams mostly (Sonatos for Cello and piano Opp. 38, 99 and 108… and some work by James Newton Howard). Felt AWESOME to just move that BIG and free! Can’t believe we will be in studio with new company members in a few weeks re-staging “Pelleas” and getting “Abravanel” back up and running (we just booked a gig at Ethel Walker School in CT for November) and “Dig” excerpts ready for DanceNow Festival at DTW. Oh and somewhere in that I am starting a new piece for the company that we are trying to have the Artemis Chamber Ensemble play live for!!! So so excited.
And, I have yet to see a copy, but I hear there is a little mention of us in Dance Spirit Magazine for September. Page 150 to be exact!
Lots of really great stuff… But for the 3 hours in the studio, it sure did feel good to forget about running a company and remember where this whole thing started… Just dancing in a studio with Lynn…
Just doesn’t get much better than that.
www.syrendance.org
Recent Posts by kate mehan
March 17, 2008 at 11:47 pm · Filed under dance, resources, culture, boston, news, SUSAN, research, arts funding, fundraising, issues, america, dance culture, trends, dance companies, funding, arts, future
That the dance community at large has been facing a number of worries is not really news to most of us. (’Tis unfortunate, but true.) For the most part, most of the concerns that dominate the dance headlines have been dollar-focused; the problem of finding consistent funds and finances to pay dancers, commission choreography, license works and underwrite productions is one that will likely (and, sadly) plague us for a while longer. (For those who have not yet heard, Boston Ballet is the most recent company to fall into the financial black hole.)
In order to get a better grasp of what the dance world is facing, it is probably a good idea to get a more distanced perspective of where and how dance stands in relation to its other cultural peers. Towards the end of last year (2007), LaPlaca Cohen published Culture Track 2007, a presentation in which they summarize the results of their fourth national survey of cultural audiences.
The good news: In the past two years, there’s been a slight (2-3%) increase in attendance at classical dance (ballet) and modern dance events. (Yay!)
The bad news: A hefty percentage (52-68%) of people indicated that the genre/period/style to which a “cultural activity” belonged affected their attendance. Might this mean that dance will continue to remain a “lesser attended art form”? (Bummer.)
The hope: A significant number (31-49%) of the surveyed respondents indicated that “supporting a friend or family member” is a “very important” factor in their decision to attend performances and ‘activities.’ We can make a difference! (Hurrah!)
And, just in case your invitations meet resistance, be prepared:
Recent Posts by susan kim
January 27, 2008 at 8:12 pm · Filed under dance, TONY, competition, michel foucault, dance studies, dance culture, thoinot arbeau, dance tv, breakdancing, romeo+juliet, dance/USA
Two titans, two teams, one battle…this is DANCE WAR!
The trailer to ABC’s new gladiator spectacular tells us that “talk is cheap.” So to settle their rivalry “Dancing with the Stars” judges Bruno Tonioli and Carrie Ann Inaba “put their money where there mouth is” and battle two armies of dancers against each other. The casualties of this conflict are not the titans but the unfortunate dancers America decides to vote off each week.
Dance makes for good wars and wars make for good entertainment. As vulgar as all this sounds it is important that we try to develop the thinking around this little cultural treasure. We love a good battle dance. Is it not the battle between the Montagues and Capulets that becomes the centerpiece of Romeo and Juliet. See Kristin’s video on battle training here. Indeed Dance of the Knights, Prokofiev’s score for the battle scene in Act I, Scene 2 of Romeo and Juliet, becomes the sonic theme for the whole ballet.
We have looked at the close relationship between the making a military body and making a dancer before. In our discussions of Foucault’s Discipline and Punish and Arbeau’s dance manual we have seen the science of choreography as a general problem to be employed for developing military maneuvers and dance maneuvers alike.
In politics, business and the culture at large war is arguably the eminent form or discourse. It makes sense then that contemporary dance should investigate this form a bit more deeply. Though the work is valuble I am not talking about making dances about conflict, such as David Dorfman’s Underground or William Forsythe’s Three Atmospheric Studies. Rather I am looking at dances that are themselves conflicts such as the battle format in breakdancing. If we were to look at professional wrestling as a performance practice it too would fall into this category.
Perhaps we should have performances in which two dance companies compete against each other and the audience, voting on their cell phones, determines which gets to keep the box office. I would definitely go see that show. It will be exciting to explore the dance war as a valuble performance outlet to be experimented with.
Recent Posts by tony schultz
October 22, 2007 at 12:23 am · Filed under dance, dance event, DAVID, dance and technology, butoh, apple, brooklyn academy of music, david hallberg, dance theater workshop, dance culture, dance companies, ohad naharin, jeroma bel
After reading Kristin’s questions about performances and the aspect of relevance in dance to today’s Apple audience, I thought I would take a moment to tell you all what has been inspiring me lately…
And hope this sheds some light on curious readers to get out and see some performances.
Jerome Bel
Bel’s “Show Must Go On”
This choreographer is coming to Dance Theatre Workshop on Nov 7-11.
I caught his “Show Must Go On” two years ago here in NYC and LOVED it. He does such a great job of showing the audience a real part of performance, not just lights and tutu’s.
Japan Society’s Butoh Festival
October 9-27
Butoh is another form of dance that transcends classical ballet and brings you into another form of understanding of movement. It takes some patience but rewards the viewer with a new understanding of movement.
Ohad Naharin
Brooklyn Academy of Music November 13-17
This choreographer from Israel, whom I’ve written about before, is action packed and always takes such advantage of the aspect of theater. Never shy of the physical side of dance, I have always left the theater from his shows completely inspired and in pain from what I saw!
What have you seen that you loved lately?
Shows, Movies, Etc.?
Recent Posts by david hallberg
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