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The Origin of an Idea

KRISTIN OSLER
Staatstheater Kassel Tanztheater
Kassel, Germany
BIO | POSTS

There began a small investigation here in Kassel about the origin of an idea. Johannes Wieland, Director and Choreographer of the Tanztheater in Kassel built his version of “Le Sacre du Printemps” around seven human-sized tanks, each filled with at least 500 Liters of lukewarm water. The idea stemmed from a piece he created and premiered in New York City (2001) called “Tomorrow;” which has become one of Johannes’ signature works. In our rendition of “Sacre,” water ends up converting the entire opera house stage into a slippery sea comprised of splashed water, buckets full of water and quite literally, hair loads of tossed water.


After our premiere, a writer for the “Süd Deutscher” Newspaper wrote a positive review of the work but inferred that Johannes “copied” a piece by Sasha Waltz, a famous European choreographer whose company is based in Berlin. The reviewer attributed the originality of the tank idea to Ms. Waltz and her work “Dido and Aeneas,” which premiered in 2005. Chronologically, the tanks of water appeared first in Johannes’ “Tomorrow” nearly eight years ago. The writer of the review failed to research Johannes’ repertory and made a false claim based on her performance-going experience.

So, where did the idea of tanks of water on a stage originate? And does it matter? Can ideas really be claimed? It seems to me (and several of my colleagues with whom I’ve spoken much with about this issue) that both choreographers found reason to use the same not-so-commonly-used prop as tools to achieve separate visions. And perhaps tanks of water have been used on stage in several other occasions, perhaps prior to both of the aforementioned pieces.

Which brings me to another issue: the writing of a review. What is going on? I was taught to write as objectively as possible when reviewing performance art, and though I did not go to Journalism school, isn’t the point of it all to educate the public? How can we expect the public to gain an interest in dance if we make assumptions without researching the facts we claim or telling the public what “I” like and “I” think about the work. Thank goodness for blogs…

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Introducing Ms. V of The Studio


Perhaps some of you recognize this pretty face from some of the videos I did this summer when I was teaching in Savannah, Georgia.

I’d like to introduce Veronica Moretti Niebuhr… dance teacher, choreographer extraordinaire, and founder of the STUDIO dance school in Savannah, Georgia. Veronica spent a great deal of time dancing in both Rhode Island and New York City, as her impressive biography reveals, and now takes pleasure in raising her wonderful family (husband Mark, a very talented Juilliard-trained actor, and their two children Enzo and Sofia) and in training and inspiring her very talented students.

Veronica will be sharing with us her experiences as a dance educator, choreographer, and owner of her own dance studio.
If you’re interested, look back in the video archives and click on the iTunes button, or search for Savannah in the sidebar, for my previous footage from The STUDIO.

On another note…
I will be returning to Savannah this summer to teach again from August 1st through August 10th. If you are in the Savannah area, auditions are being held on March 3rd and March 24th at The Studio. Call for an appointment, and maybe I’ll see you in August!

Welcome Ms. V!

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