Transmission from Sector 9
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TONY SCHULTZ The Physical Scientist Bronx, NY USA BIO | POSTS |
I have been fairly quiet this semester on the winger, delving into deeper recesses of the blogosphere. Most of my writing has been on Dance Machines, the group blog for my class at Sarah Lawrence College, and in the bowels of the dancetech network. The dancetech network is similar to the inter-mission, they are both social networks run on the ning platform, and cast the ever enticing poly-panoptic gaze.
Its decription reads:
A dance and technology social network that aggregates and facilitates the flow of information and the distributed intelligence among movement, new media artists and theorists working in the confluence of embodied performance practices and new media.
It is interesting to compare the two. To view the intermission you have to be a member. You dont have to be a member view dancetech. The intermission has great graphic design. Conversations are friendly and straightforward. I especially like the fact that their is a member called theintermission whose interests include 1’s and 0’s and bodies in motion. This embodiment of many in one is Malkovichian and devilishly post-modern. It is a socialist gesture made through recursive induction.
The dancetech network is not such a friendly place. The site lacks the solid design of intermission/winger; the erratic changes in the layout make it feel more like battleground on some unstable landscape. Conversations range from metaphysical to ‘pataphysical. Forum conversations often run off topic and involve a significant amount of head-butting. The language can be cryptic, esoteric and vague.
And for all this I love it. Come over and have a look. The blog can be found here.
It is a great place to interact with people entangled in research involving technology and dance. It is where I met Julie Cruse of Ohio State’s Experimental Media and Movement Arts Lab. The work and interaction demands its own posting.
