August 30, 2008 at 7:54 pm · Filed under dance, culture, TONY, black cherokee, otis houston, performance art, public art, 125th st, harlem
Hey Otis!
I have been seeing your “Google ME” signs since the beginning of the summer and am real happy I can help make the winger a place where the people can find out more about you share their own stories about you. The chickens make this sign next to the gas station on 125th my favorite. Hello to all the people in the cars who followed the sign. I looked at your myspace page. The pictures are great. This one really shows what you are about: living in peace and being healthy.
Artists depend on others to chronicle their work. The 2003 times article by Alan Feuer is a good start but nowhere near a complete story. My posts arent bad either but there needs to be more. I think people need to know more about how rich your life is before they can really understand what you got to say. Lots of folks think you are crazy or homeless. People should see your paintings and hear your music and read your poetry. If you could share the view from your terrace or inside your art studio the people would really know and want to help support your work.
I think we should create something together with images, music, video, books, wisdom, technology and people. We should continue to use the internet and signs to communicate to each other and with the people. It was great to meet with you on tuesday thanks for giving me a call on my birthday. Let me know next time you are putting up an installation so we can artifact it. I am in the neighborhood.
Tony
I dont know what you know and you don’t know what I do but together we got a whole lot of know.
Otis Houston Jr.
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May 24, 2007 at 8:30 pm · Filed under SLOAN, art, new york city, performance art, mark beasley, david platzker, creative time, public art, daniel buren, jonathan monk, art into life
Posted by Kristin Sloan
For those in NYC…
Five Ballerinas in Manhattan is a public art piece by Jonathan Monk, based on the original work Seven Ballets in Manhattan, by Daniel Buren. It is being presented by Creative Time, and uses seven different locations in Manhattan.
From Creative Time:
JONATHAN MONK
Five Ballerinas in Manhattan
May 27 - June 2
Chinatown, East Village, Greenwich Village,
Times Square, SoHo, Central Park, Wall Street
WHERE AND WHEN
Sunday, May 27, 2-4pm: CHINATOWN beginning at Walker and Centre Streets
Monday, May 28, 2-4pm: EAST VILLAGE beginning near 8th Street and 3rd Avenue
Tuesday, May 29, 2-4pm: GREENWICH VILLAGE beginning near West Houston Street and 6th Avenue
Wednesday, May 30, 11am-12pm and 9-10pm: TIMES SQUARE beginning near 42nd Street and 7th Avenue
Thursday, May 31, 1-4pm: SOHO beginning at 420 West Broadway
Friday, June 1, 2-3pm: CENTRAL PARK beginning near Rockefeller Center @ 5th Ave and 50th Street
Saturday, June 2, 12-2pm: WALL STREET beginning near Greenwich and Fulton Street
“Jonathan Monk is restaging Daniel Buren’s key performance work, Seven Ballets in Manhattan, on its 32nd anniversary. Re-titling the work, Five Ballerinas in Manhattan, five performers dressed in dance rehearsal clothes will attempt to perform Buren’s choreography at the identical locations on the same days and times of the original performances. In 1975, the dancers carried placards featuring the striped work of Buren; for this rendition, Monk will have the dancers distribute an adaptation of Buren’s brochure featuring illustrations of the choreography for each site.
This enigmatic work in its original presentation prompted questions regarding the status of art in the public realm and how such confrontations are defined. For example, audiences in SoHo, then the center of the commercial gallery scene in New York, accepted the work as art, but audiences on Wall Street interpreted the parade of placards as a protest and a potential unidentifiable threat. By re-phrasing and re-presenting works from the Modernist Canon of the 1960s and 1970s, Monk aims to test their continued strength and validity, in part through demystifying the process. Part homage, part parody, the work suggests alternative outcomes, differing audience responses and new-routes for the cultural producer and artist of today.
This is conceptual artist Jonathan Monk’s first non-gallery based work in New York. Born in Britain in 1969, and now based in Berlin, Monk works in a wide range of media including installations, photography, film, sculpture and performance. His tongue-in-cheek methods often recall procedural approaches typical of 1960’s Conceptualism, but without sharing their utopian ideals and notions of artistic genius. Monk, like Buren, is a key practitioner in the “art into life” debate.”
This presentation is part of Creative Time’s “Six Actions for New York City” Curated by Mark Beasley and David Platzker.
Click Here to download the brochure that will be distributed by the dancers.
Daniel Buren’s Seven Ballets in Manhattan work in situ, New York, USA.
27 May-2 June 1975.
© DB & ADAGP
Anyone up for a Sunday afternoon in Chinatown?
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