Archive for website
July 14, 2008 at 4:08 pm · Filed under dance, website, candice thompson, CANDICE, LOLAstretch
July, for me thus far, has been a month of serious housekeeping and structural reorganization for LOLAstretch. I made a decision to put the custom ordering features on our website on a summer vacation. This was all for the purpose of catching up with some delayed orders and making plans for how to make custom orders run more efficiently in the future. (I am setting up a new manufacturing process right now, the details of which I will bring you very soon–it is all very exciting!)
So have I really been on a summer vacation? Absolutely not! The idea for a little summer holiday was mainly a good way to focus on selling some of our current stock and giving us the space to do some serious ground work for back to school/work ordering. But what I didn’t imagine was that when it got down to the nitty gritty of cleaning and organizing, I would be devoting so much time to updating my website. As it turns out and as anyone who has a website knows and is currently nodding, the work of keeping your site updated and current is never done.
So here is a view of my world which, for the moment, is basically being tied to a desk.:
This is my most prized possession when I get to work in the a.m.– a hand painted coffee mug from Ireland that keeps my morning staple piping hot. Thanks Suzanne!
And this is where I am currently at, updating the feature Candice’s Closet, where we feature what we have in stock. It is a rather involved process as even our stock tends to be quite custom. I can’t just put in a product and say how many are available. Each one is a different combination of colors and fabrics, so I have to add a separate description for every entry. Plus, there are constantly new things coming and going, so it is ideal for me to check in as often as I can to be sure it is accurate.
After this, I will move on to other databases and spreadsheets that keep vital information and start planning the budget for my new designs and upcoming photoshoot. (The idea for the photoshoot hit me yesterday and I have been obsessed by it ever since. I could barely sleep last night. I will show sketches as soon as I have some!)
As much as I would love to be waking up in a cabana on the beach this morning, I have to say there is something nice about getting down to business at a time when business in general is quiet and everyone is still groggily coming back from a weekend away.
Recent Posts by candice thompson
April 22, 2008 at 3:18 am · Filed under dance, website, photography, LAUREN, joffrey
Two colleagues of mine have recently created a non-profit dance photography magazine titled “On Center Magazine” which features the beautiful and gifted artists of the Joffrey ballet. Sasha Fornari, a photographer for Joffrey and Michael Smith, a company dancer and aspiring photographer are the two co founders of this new publication. Both have also contributed their work to Joffrey’s blog, JPointe. Their composition, attention to detail, and unique perspective evoke images of inspiration and sheer beauty. For further information please visit www.oncentermagazine.com
Recent Posts by lauren
February 2, 2008 at 12:13 pm · Filed under ballet, dance, choreographers, video, SUSAN, contemporary, website, students, hamburg ballet, john neumeier, performance, competition, tickets, switzerland, blogging, paris opera ballet, bejart
© Prix de Lausanne
Exciting news: The final competition round of the Prix de Lausanne will be broadcast live on Sunday 3 February, starting at 3.00pm CET (Central European Time). To watch the competition, simply click here.
The Prix de Lausanne is an international ballet competition that takes place every year in Lausanne, Switzerland. Dancers between the ages of 15 and 18 have been competing in this year’s 36th annual Prix all week long. Judging them are some big names: Altynai Asylmuratova (Kirov Ballet), Elisabeth Platel (Paris Opera Ballet) and Anna Maria Prina (La Scala Ballet). Hamburg Ballet’s Director and Chief Choreographer John Neumeier is serving as the 2008 President of the jury.
This year, the finals will not only feature the competitors, but will also showcase two of Neumeier’s works. The first will be his Opus 100, in tribute to the late choreographer Maurice Béjart. The second will be Yondering, which will feature students from the Hamburg Ballet School, the Paris Opera Ballet School and the National Ballet School of Canada.
If you weren’t able to purchase tickets to the sold-out performance or if, like me, you are not able to attend the performance in Lausanne, this is a most excellent and very accessible alternative. Also, for anyone who is interested, the Prix de Lausanne has set up a videoblog to chronicle the competition experiences of six participants. Check it out here.
Recent Posts by susan kim
January 28, 2008 at 2:49 pm · Filed under backstage, ballet, dance, injuries, choreographers, japan, EVAN MCKIE, the stuttgart Ballet, pina bausch, national ballet of canada, wingers, website, dancebloggers, opera house, opera houses, choreographer, issues, dacners, stuttgart ballet, back injury, choreography, bolshoi ballet, suttgart ballet, ballerina, marcia haydee, web, swan lake, injury, stuttgart, paris opera ballet, chirstopher wheeldon, john cranko, reid anderson, marcela goicoechea, luis ortigoza, balet de santiago, patrcio melo, debut, american balet theatre, opening night
( …in the world of Geraldine Georges. more at www.geraldinegeorges.be )
!
It’s been awhile!… I suppose it’s high time that I share a few minutes with the ever-popular Winger family!
Though I have become more of a ‘’distant guest contributor'’ here (not my words) due to an increasingly heavy workload, I still check in from time 2 time to see what has been going down. I have been able to meet a few other contributors in 2007 and especially enjoyed catching up with David H. after a decade, seeing Patricio dance with Luis and Marcela from South America and first meeting and then sharing jet-setting tips with Christopher in a german Christmas market only to realize who it actually was a day later!!!! I also want to congratulate Kristin on being an absolute role-model this past year while making difficult life choices. I wish you, Kristin, happiness in your new position at NYCB and am glad you still manage to make time for this site. There doesn’t seem to be any other cyber-place with such a variety of different artistic voices!
I was asked recently what some of my highs and lows of 2007 were…I thought it might be a good way to discuss what’s been going on with me since I last wrote.
Aside from the little problems that can arise in a world filled with blood, sweat and tears, I found myself confronted with some more threatening issues in 2007. I became sort of plagued by a variety of significant injuries that prevented me from doing things that I REALLY wanted to be a part of; like touring to Korea again with Sue Jin Kang, creating a new role in a Christian Spuck ballet, and just generally working on improving my abilities as a dancer. This is when I was forced to realize that ‘lows’ can turn into ‘highs’ if you come at problems from the right angle. Every dancer goes through a huge injury at some point and having the advice of friends and accomplished dancers like Bridget Breiner and Robert Tewsley to guide me through was invaluable. I launched into therapy that taught me new things about my body and I learned about the power of breathing among other things. I decided to have a GREAT time and so I spent days visiting friends from Berlin to Paris. I was happy to see wonderful art and theatre in both places and meet exciting new people. One night after seeing an ABT(on tour) show at the Theatre du Chatelet I found myself on the Avenue de L’Opera. I stood staring at the beautiful Opera Garnier where I had JUST danced one month before. Now I was an invalid dancer shivering outside in the rain wondering if I’d ever be onstage again. A friend called me and invited me to hear him DJ at Le ParisParis which is also on the Avenue de L’Opera so i turned my back on the Garnier and swore to myself that I would forget the stage if just for that night and have a good time. I did but it was difficult to remove my thoughts from the theatre. During the following months I started to let go a bit and noticed an immense improvement in my condition (two ruptured and herniated discs in my lower back). The time soon came to come back to work and I was ready to take on new challenges and more mentally/spiritually prepared to do so than I was before I left for therapy.
Because things move so quick here (the company has had about 70 shows since I penned my last post even…), I was back onstage within a 2 week time period. Being there this time was like a new experience though. I enjoyed myself more than ever because I could feel that through letting go of the ’silly stresses’ of dancing, I had matured as an artist…if even just a tiny bit. 
I won’t bore with other small details that followed this event but I will mention one thing that happened right around that time that I consider to be a highlight of my year: I was cast as Prince Siegfried in Swan Lake!
I was going to dance my first principal dancer role with a great big company AND my partner would be doing it for the fist time aswell! What happened next was a combination of greatness and misfortune…
My Odette/Odile, Linda and I rehearsed and rehearsed. The company and staff were so behind us and I felt incredible chemistry with my partner. We were finally ready to dance our first show! We stepped onstage together and with adrenaline flowing heavily, we delivered to a hungry audience that was eager to witness our virgin attempt of the Tchaikovsky classic. Things went well and the excitement increased as we completed the 3rd act where the sorcerer’s evil swan daughter deceives the Prince and tricks him into marriage. It was time to ‘fall into’ the beauty of the 4th and final act that has a tragic love pas de deux that is exclusive to the Cranko version. We danced together for what was to be the Swan and the Prince’s final dance before she is turned back into a swan creature indefinitely and the Prince drowns trying to save her. I could feel her breath on my neck and the moment was magic when suddenly there was a funny sounding click and I realized that my partner’s shoulder had come dislocated in one of those backwards port de bras movements that distinguished the swan from all other classical roles. We exited the stage and she courageously held-in screams as the orchestra played on. Her shoulder wouldn’t pop back in and it was a devastating sight. I ran back onto stage and somehow managed to improvise with the corps de ballet of swan girls as if I was looking for the swan queen who I had lost somehow. 5 whole minutes played out as I performed the ballet til the end while wishing I could somehow help my beautiful partner who was by now being taken to the hospital.
Thankfully no lasting damage was done to Linda’s body but mentally it was difficult for everybody invloved to have been a part of such a beautiful process that was abrubtly cut short. The newspapers carried the story in their headlines and there was an influx of well-wishing notes. Linda still needed time to recover so I was scheduled to dance with Anna, another of my frequent partners. I was sad to see Linda watch as I rehearsed with another soloist just a day later but the show HAD to go on. Luckily Anna and I have chemistry that matches the intensity of Linda and mine together. This is rare (the two ladies share the same birthday too) but I was happy to be dancing with her and glad to not have to try and manufacture any feelings that should come naturally. Our show went over well and I felt the confidence that only a second show can bring. My ballerina told me she had never had so much fun and I believed her.
Since that time the direction was kind enough to give Linda a chance to redeem herself in the role and we danced the ballet, in it’s entirety, on a Christmas tour of Spain. Due to the incedible emotional journey that the ballet inspired for me, I’d definitely put Swan Lake at the top of my personal 2007 ‘crucial moments’ list.
4th Act embrace with Anna Osadcenko in ‘Swan Lake’ with the Stuttgart Ballet. Galina Mezentseva as Odette.
As Stuttgart’s autumn season brought scattered flurries to the Schlossgarten outside the theatre, indoors there was a blizzard of different ballets being performed. ‘The CRANKO festival’ was underway. Infact it was all planned far in advance to celebrate the company’s founder. We all danced a long list of roles that Cranko had created for his star-personalities of the time and many of them came back to help us get into each individual role. I danced Lenski in Onegin and special parts in ‘Brouillards’, ‘Jeu de Cartes’ , ‘Holberg Pas de Deux’ and ‘Initials’. Infact, I just debuted over this past weekend for the final two shows of ‘Initials’ in the hauntingly beautiful pas de deux created for Marcia Haydee and Heinz Claus from the 3rd movement. ‘Initials’ is one of those rare ballet’s that demands a large company fueled by a sense of camaraderie. Four principals represent four seasons and the music by Brahms is so powerful and melodic that it is hard for me to imagine it without steps attached. The choreography is difficult and there are alot of leading roles so that everyone has their own personal responsability to the ballet. We were all in it together and every single person felt like an important ingredient that was required to bring this ballet to fruition. The Cranko festival was a ‘high’ for me because it afforded me with the chance to dance roles that I loved while being a part of a 3 month long seminar-like expereince where I was able to focus solely on what made Cranko, the choreographer tick. I saw footage that I had never seen before, saw roles that had been lost in ballet history and celebrated (night after night) the ballets and steps that made the choreographer so famous. There were gala events where guests were invited to come dance all of the most popular Cranko roles. How lucky for them to be able to dance such roles on the stage where they were first received and how lucky for us, here, to be able to see how other artists interpret the roles that we know so well. (Alina Cojucaru as ‘Tatiana’ from ‘’Onegin'’ was one of my favourites.) I also thouroghly enjoyed getting to know Polina Semionova while dancing ‘Lenski’ with her ‘Tatiana’ in a special gala performance of ‘’Onegin'’.
1st time Siegfried in ‘’Swan Lake'’. Flirting with Katja Wünsche’s ‘Olga’ in ‘’Onegin'’
I’ll leave it at that for now as the new year is well underway now and I want to go out and accomplish brand-new things to reflect on at a later date. Altogether, I feel good about celebrating the ups and downs that my career as a ballet dancer brought me in 2007 and I want to make sure to thank the people who have celebrated WITH me! Whether it’s european balletomanes, my family and colleagues, or original Stuttgart Ballet members (antiques) who encouraged me to keep writing here at the WINGER (.. ..) I have recently been getting alot of attention in Japan aswell and am frankly quite baffled by it as I have only ever done ONE show there!..BUT I am always thrilled to receive the notes and extremely creative gifts from my friends in and around Tokyo. I don’t know what I did to deserve you but I am thankful and proud to have such a dance-educated group be interested in me! Thank you.
Let’s see what’s in store for ‘08. I promise to do my ballet-best 
!………
-Ev
Photos: The Stuttgart Ballet. (I am sorry I only have the few from recent while. The truth is I don’t have that many at my disposal!)
Artwork: a gift from the amazing Geraldine Georges
www.geraldinegeorges.be
Recent Posts by Evan McKie
January 16, 2008 at 11:37 am · Filed under dance, news, SUSAN, website, television
Because my right leg (and my driving foot) has been out of commission, my recuperation has kept me house-bound and house-arrested for the past two months. I think I might have lost all sense of sanity if it weren’t for my access to the world wide web. (I should note that the “world” in “world wide web” should be stressed, scored and emphasized, for the Internet proved to be the sole means through which I could access anything beyond Apartment 5.)
One of my favourite re-discoveries was Dance Channel TV. (I first discovered the site some time ago, by weaving my way through a series of fortuitous links.) The site was founded by Arsen Serobian with the hope of connecting dance lovers throughout the world and also introducing new people to dance.
To achieve this, the site offers a platform on which its members can share a plethora of videos (arranged in channels according to more than fifteen different disciplines), photographs and events. My favourite feature is the weekly dance news broadcasts. There are also additional lifestyle channels on dance style, yoga for dancers and cuisine for dancers.
Photo credit: Dance Channel TV
Today, I discovered that Dance Channel TV is actively petitioning to transform its web-based dance community into a television syndicate. Not unlike the site, the proposed Dance Channel TV network would bring the variety of dance channels it currently offers online straight into the home via cable or satellite providers. (So cool!)
For anyone interested in adding their name to the petition, they can show their support by signing here. (Per the rallying cry of Dance Channel TV: “Connect! Explore! Come dance with us!”)
Recent Posts by susan kim
May 24, 2007 at 3:47 pm · Filed under SLOAN, resources, research, website, new york city, mobile, dance/nyc, census, dance online
Posted by Sloan | via mobile phone
Smart!
[and while editing my mobile post, I can respond to Justin’s comment… Census will be available online, in its entirety, this summer.]
Recent Posts by kristin sloan
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